Sunday, May 15, 2011

Blackrock Arts Center - Germantown Patch

Arts

Ancient Temple Inspires Artist’s Work in BlackRock Exhibit

Leila Holtsman’s pieces are precursors to a 120-foot work to be featured in a solo Artisphere show.


Leila Holtsman used gesso and broad panels of steel to tell the story of the Temple of Dendur, what began as an ancient Nubian temple, got its name after a flashy Roman makeover and is now part of the Metropolitan Museum of Art collection in New York City.

“I’m trying to tell the story of three different points of the temple’s life,” said Holtsman, who chatted with Patch from her metal studio in Beltsville, Md.

The panels Holtsman created are part of a three-artist, mixed-media exhibit on view at BlackRock Center for the Arts. The theater is hosting a reception Saturday, May 14.

Holtsman said the work featured in the Germantown exhibit are studies for a 120-foot work she’s spent a year developing for an upcoming solo show at Artisphere. She said power and sacrifice were common themes for Dendur. Storyboarding and mockups have helped her organize the concept visually, she said.

“I’ve got well over 100 images going into this piece,” she said. “I’ve got a palette of five, six colors, photos that I’ve purchased that I couldn’t take myself. I’m telling three stories in a frame of how all this came about. It’s a lot to keep up with.”

This fascination with ancient temples started at an early age.

Holtsman of Garrett Park, Md., grew up in Maryland, but her parents were globetrotters. She spent 10 years of her childhood living in Saudi Arabia and Jordan. Arabic was her first language, she said.

“When you live there, it really is another world,” she said. “You walk through things that have been left the in the same places that they were built 5,000, … 3,000 years ago. There’s something that takes over your soul, turns you into a romantic and makes you want to protect them and appreciate them just they way they had been left.”

It’s only recently that decided to devote all of her energy to being a full-time artist. Holtsman said she thought her world travels would have led to a government job, working for the U.S. Department of State, perhaps. She has a degree in international studies and Russian from University of Virginia and an MBA from University of Maryland. Yet, she left a job with the Red Cross.

She has no regrets.

“I was quitting a really great job,” Holtsman said. “In terms of the way people look at it here, it was a really desirable job, great paying, great benefits. It was interesting. Because I was leaving that, I thought it was really important to move on to something I really wanted to do. It was part of finding my voice.”


Source:

http://germantown.patch.com/articles/ancient-temple-inspires-artists-work-in-blackrock-exhibit

Thursday, August 26, 2010

working ideas - contrast



Using my archive of images from my January trip to South Carolina, I'm reducing a number of them to strong contrasts, possibly to use in future prints on steel.

Friday, April 9, 2010

Study for a Frieze




Salvaged steel and tempered glass.








Sunday, March 28, 2010

Crinoids in living color


Browsing the internet to learn about the relationship between crinoids and oil deposits (and after seeing 100s of images of sandy-colored crinoids), I'm amazed to find that these fossils and probably the living animal can be purple.





Source of image and information: "Preservation of hypericin and related polycyclic quinone pigments in fossil crinoids" by Klaus Wolkenstein, Jurgen Gross, Heinz Falk, Heinz Scholer, Proceedings of the Royal Society of Biological Sciences

A man named Blumer discovered a remarkable group of organic pigments (fringelites) in purple to violet coloured specimens of the Jurassic crinoid ‘Millericrinus’ (=Liliocrinus) from northern Switzerland. These pigments are also accompanied by several polycyclic aromatic hydrocarbons, which were proposed as transformation products of the pigments .

http://rspb.royalsocietypublishing.org/content/273/1585/451.full

Saturday, February 6, 2010

Snow Walk: Adams Morgan to Dupont Circle












Lauriol's sentinels.




Snow split.













Echo: umbrella and Dupont Circle fountain's dish.

Snow Lights



"The red light contains some orange in its hue, and the green light contains some blue, to provide some support for people with red-green color blindness." (Wiki) The whiteness of the snow wrapped around the lights brought that out for me.

Thursday, January 28, 2010

Textural Tracings Exhibit


Installation views of the "Textural Tracings" Exhibit at Coastal Carolina University in Myrtle Beach, So. Carolina. This is a three-person show, which includes the works of Beth Kendall, Novie Trump and yours truly.















The Gallery occupies a huge space (55'x25'). It was a challenge and a delight to place our 25 works in this beautiful place.

Each work was positioned with plenty of room to breathe.

Talking to the students of the Sculpture, Mixed Media and Professional Development classes was great fun and stimulating. An exhibit like ours is one way for students to ask questions about contemporary sculpture and for me to receive fresh feedback about my work.


With the fabulous help of Gallery Director Cynthia Farnell and an energetic team of people (thanks to Dan, Rachel, Wayne, Matt, Chris, and Easton among others), we installed a great show. Chris and Cynthia install one of Beth's pieces here.


Thanks to the generosity of Cynthia Farnell and the Rebecca Bryan Gallery of Coastal Carolina University!